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A group of friends suffer a yachting accident and take refuge on a cruise drifting on the open sea, but quickly realize they were better off on the upturned yacht.

Director: Christopher Smith

Writer: Christopher Smith

Stars: Melissa George, Joshua McIvor, Jack Taylor

Summaries

A group of friends suffer a yachting accident and take refuge on a cruise drifting on the open sea, but quickly realize they were better off on the upturned yacht.
—sergiuhuian

When Jess sets sail on a yacht with a group of friends, she cannot shake the feeling that there is something wrong. Her suspicions are realized when the yacht hits a storm and the group is forced to board a passing ocean liner to get to safety, a ship Jess is convinced she's been on before. The ship appears deserted, the clock on board has stopped, but they are not alone... Someone is intent on hunting them down, one by one. And Jess unknowingly holds the key to end the terror.
—Icon

In high hopes of blowing off steam, the waitress and single mother, Jess, decides to go on a sailboat trip with friends. However, before long, a nightmarish storm is brewing--and just like that--their luxurious yacht is soon capsized by a massive wave. Now, helpless in the middle of the unforgiving ocean, Jess and the rest of the survivors board an eerily abandoned cruise ship, only to realise that they are trapped in the vessel's maze-like corridors. More and more, as Jess experiences increasingly chilling incidents of déjà-vu, the feeling that they are being chased down by an invisible killer becomes a horrific reality. Is there an escape from madness?
—Nick Riganas

Synopsis

The film opens with Jess (Melissa George) at home with her autistic son, Tommy (Joshua McIvor). We watch (sound unheard) as Jess goes about cleaning up after her son. Suddenly, there is a buzz at the front door. Jess goes to see who it was, but finds no-one there. Asking a neighbor who was working in his yard, he claims he didn't see anyone.

Sometime afterward, Jess goes down to the nearby harbor where she accepts the invitation of a friend named Greg (Michael Dorman) to go sailing on his boat. Accompanying him are Victor (Liam Hemsworth), Heather (Emma Lung), and the couple Downey (Henry Nixon) and Sally (Rachael Carpani). Greg had also invited Jess to bring her son Tommy with her, but when he asks Jess where he is, Jess hesitates for a moment, before saying he's at school.

The crew seems to be sailing along okay, when the wind suddenly dies down. Also of question is a strange electrical storm that is steadily approaching. Greg tries to radio the coast guard, but finds their communications wavering. Another communication comes across, but Greg's request for coordinates of this unknown communication soon gives way to more static.

The storm soon reaches the boat, which capsizes, but not before Heather is swept out of the boat into the stormy waters. When the weather clears, the survivors climb onto the upturned boat, unsure what to do next. Suddenly, a large cruise ship floats into view, and the survivors quickly board it, only to find no-one on deck or in the halls. As they criss-cross through the corridors of the ship, Jess begins to have an eerie sense of deja vu. As they keep moving around the ship, a sudden noise catches their attention. What they find is a set of car keys, that are exactly like the set that Jess carries! No-one is sure what this can mean, and the search continues.

Jess splits up, only to then encounter Victor who is bleeding, and attempts to strangle her. Jess manages to escape, only to hear a gunshot. Finding herself in the theater of the ship, she finds Greg shot, with Sally and Downey accusing her of killing him. Suddenly, more gunshots ring out, with Sally and Downey being killed. Jess gives chase and soon encounters a masked figure with the shot gun. Finally confronting the figure, it speaks in a muffled speech through the mask, but not before pitching over the side into the ocean below.

With everyone around her seemingly dead (and no idea who the masked person was), Jess goes to a cabin on the ship, only to hear yelling from off the boat a few moments later. Looking over the edge, she is shocked to see the overturned boat, and everyone (even herself!) calling to be rescued.

Jess soon realizes that she is trapped in a time-loop, that repeats itself when everyone on the ship is killed. The ship also seems to have certain areas that have experienced the same incident multiple times. In one area, Jess finds a locket she wore with her son's pictures inside hanging from a small grate. When she looks further inside, she sees there are multiples, as if this same incident has happened before! Another time, chasing a wounded Sally, she finds this version of Sally now askew in a part of the ship with multiple dead Sally's all around!

Mentally fearful that she may never see her son again, Jess attempts to follow the events of what happened and kill everyone. She soon dons the mask and other clothing that she had seen previously, until in a confrontation with herself, she ends up falling off the ship.

Jess awakes on a beach soon after , and makes it back home... only to find herself there that morning (where the film started). However, this time, we hear the audio that was missing... and find out that past-Jess is blatantly angry with Tommy, cursing at him and yelling at him. Present-Jess sneaks into the house, and using a hammer, bludgeons her past-self to death. Unfortunately, Tommy witnesses this, and Present-Jess assures her son he just had a 'bad dream.'

Jess then takes the locket from her former self's neck, and puts the dead body in a black duffle bag, before putting it in her car's trunk. Jess then proceeds to drive her son to school, promising that things are going to be different from now on. As they drive along the ocean, a seagull suddenly slams into the windshield, leaving bloody streaks. Jess pulls over to retrieve the dead bird and throw it into the ocean. However, when she goes to throw it over the edge of the embankment, she sees something that causes her to pause: much like the multiple necklaces and Sally's from before... there are multiple dead seagulls pooled in the area where she was planning to dispose of the one she (just) hit.

Jess disposes of the bird quickly, and then rushes to get into her car. As they take off, Tommy begins to panic over the blood on the windshield. As Jess turns to calm her son, she turns into the incoming traffic lane, and ends up hitting a semi.

In the aftermath, we see Jess watching the aftermath, as we see her body and that of her son's lying on the highway. A man in a nearby taxi is observing this as well, saying that there's nothing that anyone can do now. Jess then requests the driver take her to the harbor.

Jess then begins the cycle anew, intent to somehow prevent her son from dying all over again.

Taglines: The Forecast is Evil

Genres: Fantasy | Mystery | Thriller

Certification

MPAA           Rated R for violence and language   
Australia:MA15+  Finland:K-18 (self-applied)  Germany:16  Ireland:16  Ireland:18 (DVD rating)  Japan:PG12  Netherlands:16  New Zealand:R16  Norway:15 (VOD)  Philippines:R-13 (MTRCB)  Portugal:M/16  Singapore:NC-16  South Korea:15 (2018)  United Kingdom:15  United States:R (certificate #45697)

User Reviews

Jess (Melissa George) is a single mother struggling to raise her autistic son. While working her job at a diner, she become friends with one of the customers, a playboy type named Greg who invites her on a yachting trip with he and his friends. Desperate for a break from her son, she takes him up on his offer. The day of the trip, she's late getting to the boat and arrives flustered. She says that her son is at school, but it's a Saturday. Despite her questionable frame of mind, Greg introduces her to the group (including uptight sister, Sally, and his first mate, Victor, both of whom are vocal in their reservations about her) and off they go. It's smooth sailing at first, but an out of nowhere storm leaves the boat capsized and the remaining passengers stranded. They think they're in luck when an ocean liner passes by, though boarding the ship is just the beginning of things going from bad to worse.

This is the third film I've seen from director Christopher Smith. Creep left me unimpressed, but I liked Severance well enough, shoddy ending aside. This, however, is easily the most rewarding of the three. What looked like it would be your typical slasher set on a ship turns out to be something far more intriguing. What we get instead is a mind-bending little trip with an obtuse mood and a curving story. I can see some people thinking of the film as being too repetitive, but I was caught up in the mystery right off the bat. This is a well put together film with some interesting questions at it's core. While it's not completely fresh (there are some definite similarities to Timecrimes), it still kept it's hooks in me for the duration. Smith put a lot of time into the script, reportedly a few years, and I feel that it paid off.

Triangle also wraps up with it's own unique explanation, one that's Sisyphean in theme. Another of the film's top qualities would be the strength of some of it's visuals, the most notable example being Sally crawling amidst something that I will leave unspoiled. A wicked sight and a sure shock when it pops up.

This film deserved to play in theaters. Aside from the fact that it's far superior to a lot of the horror that gets theater play these days, it's just a damn fine film that would benefit from being seen on the big screen. The Blu-ray is beautiful! Regardless, Christopher Smith has given us a haunting treat that will continue to fester in your mind long after that initial viewing. A must-see!

Details

Country: UK | Australia

Language: English

Release Date: 16 October 2009 (UK)

Also Known As: Triangle

Filming Locations: Brisbane, Queensland, Australia

Box Office

Budget: $12,000,000 (estimated)

Cumulative Worldwide Gross: $1,333,377

Company Credits

Production Co: Icon Entertainment International, Framestore, UK Film Council

Technical Specs

Runtime: 99 min

Color: Color

Aspect Ratio: 2.35 : 1